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Mi3 Audio Edition

Mi3 Audio Edition

A weekly wrap of the “must-know” developments in Marketing, Media, Agency and Technology for leaders and emerging leaders in the industry. Veteran industry journalist and Mi3 Executive Editor Paul McIntyre talks each week with guest marketers who are in the know on what matters at the nexus of marketing, agencies, media and technology. Powered mostly by Human Intelligence (HI).

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1 hr, 5 min
21 Jul

The CMO Awards Podcast Ep8: Building brand for demand: Michael Hill, Reflections Holidays, Allianz CMOs on the business case and foundations for a brand-first marketing strategy

Host: Nadia Cameron - Editor - Marketing | Associate Publisher Brand evolution: It’s in the sights of every marketer, but how do you honour the legacy while seeking a new narrative that grabs attention, signals distinctiveness, and builds loyalty? How do you prove it’s worth investing in brand not just demand internally? What team structures and measures are better for driving a brand-led marketing approach? And what does it take to avoid what Mark Ritson calls “the pornography of change” in your creative and brand execution for the sake of it, versus innovating to ensure continued cultural relevance and commercial success? Joining in this final episode in the CMO Awards podcast series for 2025 are three of our finalists and winners – Michael Hill CMO, Jo Feeney, Reflections Holidays CMO, Pete Chapman, and Allianz Australia general manager of customer strategy and marketing, Laura Halbert – who have made brand their mantra and mechanism for commercial success. Each of these marketing chiefs is in a different lifecycle stage of brand maturity. Yet similarities in ingredients are in evidence: Capturing then leveraging data and customer insight, identifying and sticking to brand values, recalibrating media spend, committing to long-lasting creative and content that oozes distinctive brand assets, multi-year horizons, whole-of-company buy-in, baseline metrics and commercial smarts. Take Reflections Holiday, a relatively young brand representing 40 holiday parks in Australia. As the business has transformed its operating model and committed to becoming a social enterprise, building brand has taken centre stage. Under the moniker, ‘Life’s better outside’, Chapman has been flipping category perceptions on their heads and stridently seeking engagement with a more discerning outdoors audience that puts nature, not novelty, first. From only 10 per cent of budget going on brand versus performance, it’s completely switched the other way. Last year, Reflections also underwent a rebrand complete with new positioning and brand look. The new brand strategy made for some exceptional – and ironically, short-term – results, Chapman says. These include 10.1 year-on-year, topline revenue growth between February 2024 and February 2025, a +15.9 per cent lift in NPS, and a 20 per cent increase in loyalty club membership. For Feeney, the lack of clarity on what Michael Hill stood for, overreliance on product and price promotions, limited insight into what customers thought and the absence of a narrative around a compelling lineage in fine jewellery all made rebranding a must. But you can’t tackle it all in one hit. So she introduced brand tracking first, and made the case for taking price points off advertising. Feeney also jettisoned the catalogues and shifted towards digital and “better media channels”, as the longer-term shift to reinvest an unprecedented 60 per cent of advertising funding into brand began. “We couldn't have gone from zero to 100, we actually had to start to retell the story of Michael Hill,” says Feeney. “Resetting ourselves and getting a baseline was the really important part to then be able to even think about what could a rebrand look like.” Even with persistently tough retail conditions, brand efforts helped turn three years of negative growth into three years of positive growth in group sales: +13.1 per cent (2021), +7 per cent (2023) and +9.8 per cent (2024). Halbert meanwhile, is in the early stages of a rebranding effort for Allianz Australia, debuting its new brand positioning work, ‘Care you can count on’ in June. She’s already reporting a 15-point lift in brand awareness thanks to a creative approach grounded in leveraging distinctive brand assets that take their cues from a level of care Halbert felt in her first interviews before even joining the insurance giant. “So the first marker was just in the experience. But the wonderful thing about a German organisation is we do have data. I was flooded with all the data and all of the research you could possibly dream of. When you really unpacked it… what was clear was that it was an amazing brand, with good awareness, good consideration, lots of trust. But when you unpack it further, it wasn't enough. “We needed to be different. We needed to be distinctive. So we went on a mission over the course of the last 18 months to really go and understand who we were right at the core.”See omnystudio.com/listener for privacy information.

The CMO Awards Podcast Ep8: Building brand for demand: Michael Hill, Reflections Holidays, Allianz CMOs on the business case and foundations for a brand-first marketing strategy
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51 min
17 Jul

‘700% outperformance’: Employment Hero and Salesforce bring B2C playbook to B2B, watch lead costs tumble, growth power – but diverge on in-housing vs agencies amid AI shift

Employment Hero and Salesforce are at opposite ends of the B2B spectrum. One’s a rapidly scaling $2bn platform, the other a $260bn behemoth. But both have adopted a consumer marketing playbook, applied it to B2B and are watching growth power. Employment Hero’s Tasman Page says the approach is notching 700 per cent gains. Lifting B2C’s distinctive assets, emotional, humorous playbook and deploying brand characters – while swapping out whitepapers and rational content for 30 second video ads – are netting leads and acquiring customers at much lower cost, per Page, because the brand investment is fuelling cheaper leads and customer acquisition, up to 70 per cent cheaper. That’s linked to a generational shift within B2B buying groups – of which 71 per cent are now Gen Z and millennials, per LinkedIn ANZ Head of Enterprise, Andrea Rule. Video natives, busy and human, they want something that both strikes an emotional chord, quickly tells them something interesting without boring them, and gives them a reason to go deeper if they are in market, or lands a memory if they are not yet buying. Video consumption is soaring across the platform locally, per Rule, who unpacks the types of content that is getting best traction. Cat Bowe, Salesforce’s Senior Director, Marketing, has likewise seen big improvements in results using video over static ad formats. But she’s also leaning heavily on LinkedIn to own agentic AI amid an arms race. It’s working. AI is enabling Employment Hero’s 30 person in-house agency team to move even faster – speed to market is critical per Page. Which is why he says external agencies just can’t deliver the turnaround times he needs without hoovering up all of Employment Hero’s budget. Salesforce’s Bowe says a hybrid approach is currently working for her team – the agency can work on what is immediately in front of them, giving the in-house team time to think a little further out. But both are fully aligned that there is a “fundamental technology shift going on”, per Bowe, and a fundamental shift in B2B marketing approaches that are massively moving the needle.See omnystudio.com/listener for privacy information.

‘700% outperformance’: Employment Hero and Salesforce bring B2C playbook to B2B, watch lead costs tumble, growth power – but diverge on in-housing vs agencies amid AI shift
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28 min
7 Jul

‘People’s jobs will be changed’: Salesforce global CMO on how AI agents are the new digital labour force rapidly reshaping customer service, marketing and commerce; plus the ‘false precision’ of brand attribution

It’s less than a year since Salesforce launched autonomous AI agents into the wild. But the bots are already reshaping business functions. In the US, online accounting platform 1-800 Accountants, which handles payroll and book keeping for circa 100,000 firms, has slashed the time staff spend on customer service by 70 per cent. Open Table and Singapore Air are deploying the agents to similar effect. But what are they doing with all that freed human capital? And what are the broader implications for everyone as ‘agentics’ move rapidly through the digital supply chain? Salesforce global CMO Ariel Kelman and his say we will all soon have our own agentics buying – and negotiating prices – for us in online shopping and services. Which has significant implications for business structures and marketing functions and capability in particular. Kelman says we are now looking at a step change in marketing automation beyond content, where the agentic labour force will generate campaign briefs, launch campaigns off those briefs, and self-optimise the creative messaging and channels to deliver on the brief it crafted in the first place. Outside of agentics, Kelman says Salesforce’s new multi-touch attribution model is powering, telling the firm which marketing investments are driving sales and how cost-efficient they are. But not for brand – Kelman thinks it’s pointless trying to attach a dollar value to brand investments in B2B. “It’s just so disconnected from the purchase.” Those attempting to do so, he suggests, are “operating at a false level of precision.”See omnystudio.com/listener for privacy information.

‘People’s jobs will be changed’: Salesforce global CMO on how AI agents are the new digital labour force rapidly reshaping customer service, marketing and commerce; plus the ‘false precision’ of brand attribution
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1 hr, 1 min
1 Jul

The CMO Awards Podcast Ep7: Winners and finalists part 2: Uber, Guzman y Gomez CMOs reveal what makes their distinct marketing approaches effective

Their remits and responsibilities seem poles apart, but Guzman y Gomez global CMO, Lara Thom, and Uber CMO APAC, Andy Morley share strikingly similar views on the importance of culture, CMOs aligning personally to company values, brand-led strategy, and bold, progressive marketing that grabs attention and strikes the right cultural chord. It’s surprising really. Thom has her hands full with near-term growth, global expansion of a brand still challenging the QSR status quo and a recent IPO. Morley meanwhile, has his sights set on the longer-term brand horizon and reframing two mature businesses for what’s next. These very different marketing operators were in the studio for the latest CMO Awards winners podcast episode after being unilaterally recognised by judges for demonstrating marketing effectiveness in spades. Morley came in #6th in this year’s CMOs of the Year rankings (the highest ranked male this year, both joked), while Thom was the inaugural CMO Awards #1. The dynamic, sometimes combative but respectful conversation centres around what it takes to make marketing effective, drawing from Thom and Morley’s winning CMO Awards submissions plus career learnings. What both also share is a very timely reminder that the role of marketing has to adapt if it’s to achieve the same outcome every CMO is ultimately looking for: Delivering growth and market share through effective marketing.  Both firmly hold themselves to commercial account. “At some stage, marketers got hold of a whole bunch of metrics and were able to kind of put some twinkly stars in the sky and go and say, Look, reach impressions, brand awareness graphs that don't mean anything,” Thom says. “But the real accountability and the real effectiveness of an awesome and great marketer is actually in sales.” That by no means impinges brand and creative aspirations. “I've always said and believed that you can build brand and revenue at the same time,” Thom continues. “Anyone that says this is a brand campaign that's not designed to drive sales, is wrong and lying, and it's not working. All brand campaigns should elevate brand awareness, and that equates to sales. End of.” How marketers maintain an offensive, not defensive, position is another priority for both CMOs. “There are a number of brands that have more restaurants than us, so we're still in an offensive position, where that hunger and we're striving to get there,” Thom says.  By contrast, Morley and the Uber team are in a very different space where the business is now well established, and in a market leadership position looking at what is next. It’s come after three years of successful work to transform and evolve what Uber Eats brand stands for and the power of its ‘Order almost anything’ brand positioning and creative platform. Morley is now thinking about Uber’s core rideshare business and where it goes next. “I think the reframing of what your category is, is the most important thing for our position,” Morley says. “We're not just trying to maintain our share or just defend what we've got within rideshare or through delivery. We're saying actually, what's the bigger picture that we can go on? In the mobility space, it's the private car. We are going harder on how we build more use cases away from the private car. It's generally better for the consumer’s wallet, and that is a much bigger fish for us to go after.”See omnystudio.com/listener for privacy information.

The CMO Awards Podcast Ep7: Winners and finalists part 2: Uber, Guzman y Gomez CMOs reveal what makes their distinct marketing approaches effective
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45 min
24 Jun

Super Cannes 25: Suncorp’s Brand, CX boss Mim Haysom on influencers; Why EY Parthenon says risk and creative works for c-suite and Tassal’s Matt Vince is thinking global

Cannes was heaving with influencers striking deals, but the message from top marketers, academics and consulting firms was consistent: Go back to fundamentals on brand, embed brand at the heart of business, then execute with consistent creative excellence to drive outsized financial returns.Mark Ritson landed that message most emphatically via 10 years worth of Effie data analysed by System1. In short: Do really good work, put enough money behind it, don’t change it; grow more.CEOs like Gap Inc’s Richard Dickson are codifying brand to drive business decision-making – and it’s working. Other business leaders remain unconvinced. Hence EY Parthenon’s Karen Crum putting brand and creative investment on the corporate risk register, just like plant, equipment and supply chains. She’s mapped 20 years worth of Fortune 500 filings that show brands looking beyond negative brand risk and investing to maintain brand relevance and value are “more profitable and stayed in the Fortune 500 longer”. Crum’s new paper unpacks how marketers can help articulate that risk in language that will land with the C-suite.Tassal Chief Commercial Officer Matt Vince – also the firm’s Chief Risk Officer –said it maintains corporate risk registers for both brand and marketing after 20-years as an ASX-listed business prior to acquisition by Canada’s Cooke Inc. Crum’s paper, he says, resonates deeply, while Tassal’s rigour in building brand –doubling marketing ROI on a flat budget – has seen Cooke’s global CEO fly into town: “The opportunity for us is to start leading [marketing] from a global perspective.” Next, he’s mulling how to embed a creative measurement system, as cited at Cannes by the likes of Nestlé as key to enabling creative growth gains and Grand Prix wins. But Vince is also thinking about influencers after meeting Seal at a TikTok event – and says TikTok “has some amazing things coming in their pipeline”.Amid divergence on whether marketing’s fundamentals still apply within a platform-dominated world, Suncorp’s Mim Haysom backed the call to return to basics on distinctive assets – because they resonate in all channels. “We can get obsessed about single channels. But nobody builds brand and marketing plans like that. You look at the whole ecosystem of your brand.”But Haysom acknowledged influencers are having a “profound impact” within that ecosystem. “If brands are thinking that it's a flash in the pan they're greatly mistaken.” Which means working through another set of risk management: relinquishing full control of content.Here’s their take-outs and take-homes from Cannes 2025.See omnystudio.com/listener for privacy information.

Super Cannes 25: Suncorp’s Brand, CX boss Mim Haysom on influencers; Why EY Parthenon says risk and creative works for c-suite and Tassal’s Matt Vince is thinking global
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